Texts
“…The spheres that AvantGarden is made of are all about regeneration, recreation, our technological twins realized as avatars, helpers, proto-machines, and ecological awareness. We could also think about spheres as life pods for rethinking the world…Each new sphere starts with the "seeds" of the previous one - a small group of conceptualized digitally sculpted objects. You may ask yourself what is the initial seed? Does it come from the sketch of the first flower, appearing in the "Club"? Does it come from the sound samples from the "Genesis" Or is it a series of initial tape recordings of radio noise for the "Perfect Frequency" exhibition from way back in the year 1996? Seeds are stored in the internal seed banks of my memories, in folders, physical and digital, on documentary photos and old VHS tapes, and as if the timeline is twisting, at times, old, new, or ancient "seeds" and digital "plants" will begin to emerge from the computer keyboard, midi keyboard, mouse and drawing tablet…”
— AvantGarden update, Towards the organic technology of cosmically bionic, prismatic virtual spherical gardens, Tanja Vujinovic, February 2024. Full PDF LINK
— Blanca de la Torre, Atlantica, Revista de arte y pensamiento, ISSN 2792-3827 Atlántica, Las Palmas de Gran Canaria, Spain, 2022..
“Carboflora tracks the quantities of harmful particles in the atmosphere and uses that data to shape the way plants inhabit the virtual system. The work relies on over 10,000 stations located throughout the world that regularly send data about the air quality index and the presence of various pollutants.”
— Regine Debatty, Can technology bring back long-lost nature? We make money not art, April 2021. LINK
— Blanca de la Torre, Zoran Erić, Con los pies en la tierra, Centro Atlantico de arte moderno - CAAM, Las Palmas de Gran Canaria, Spain, October 2022.
“Tanja Vujinović built her artistic sensibility caught up in hyperdynamic technological development. In order to overcome all obstacles during the realization of her works, she had to reach a high degree of multidisciplinarity. She has researched science and technology, new media and digital culture, physics, geosciences, biogenetics, neurosciences and robotics, evolutionary theories, primatology, science fiction, medicine and ecology.
Since the beginning of the realization of her artistic works, Tanja has been "levitating" in a hybrid space, between "offline and online reality". Her works, on different levels, as well as the approach itself, simultaneously depict, analyze, criticize and overcome the digital environment. In them, the relationship between the virtual and the real world is reflected, in which it points to the process in which human society finds itself, on the way to the complete integration of the two "realities".
In the "new reality", she examines the relationships and boundaries between: man and man, man and technology, man and biological, man and environment, ideology and technology, artificial intelligence and the Internet of Things, media carriers and their mutual communication, as well as ways of understanding and preservation of memory and heritage.
The building blocks of her works, through which she realizes the connection between human consciousness and technology, are anthropomorphic and abstract machines, 3D printed objects, sounds, devices and virtual spaces, often in the form of software applications and installations. Using specially made electronic components and devices, objects and software applications, Tanja investigates the transmission, transposition and mapping of a wide variety of information, following their movement through various media, visualization and sonification of data, and experiments with elements of haptic art, plasma physics, etc.
— Ivan Stanić, XIV NEW TECHNOLOGIES, Spheres of the Metagarden by Tanja Vujinović.
“Tanja Vujinovic built a futuristic garden where harmony and technologies coexist, seeking new solutions together.”
— Benedetta Sabatini, FONTANA, Future gardens, rebirth of life, Neural 63, Surveillance Surveyed, ISSUE #63, SUMMER 2019 ISSN: 2037-108X. LINK
Merging of Code and Matter: MetaGarden by Tanja Vujinovic
“New media technologies and biotechnologies have sparked hype, especially among transhumanist thinkers, futurists, and DIY practitioners, about longevity through uploading the mind into virtual realms, technological augmentation of the body with implants, prostheses or biochemical alterations, and creation of conscious artificial agents.”
— Read the full text “Merging of Code and Matter: MetaGarden by Tanja Vujinovic”, written by Jelena Guga, 2018.
“Universal Objects: Best Friends Forever 1&2 portrays pressured digital representations. While in reality many layers of our personality are hidden or confined within the physical limitations, the avatars are potentially boundless. Due to commercial streamlining their gestures are rarely altered beyond reality – while a single click or incidental words easily can explode into raging online-phenomena from the quietness of our homes.
In Vujinović’s work the boiling emotional pressure deforms the actual body. These uncannily distorted shells trigger our empathy, as the brutalized communication is not disconnected from the body anymore.”
Robert Seidel, Künstlerhaus Bethanien Magasine, BE25, Berlin, 2018.
"...tools and materials that I often use creates some sort of web of poetical and technical elements at play, leading to the analysis of “sub-consciousness” of technology. The works also used to accent ideological aspects already built into media and gadgets. The attractiveness of new technologies, dependence upon them, our fetishizing of closeness among us and our gadgets are some of the themes that I continually pay attention to...”
— Read the full text Tanja Vujinović interviewed by Ivona Fregl
Published in the exhibition catalogue from the Lucida Gallery, Belgrade, Serbia, September 2017.
“The artist plays with the form of mask and the concept of masking - a mask can be a surgical one, but also a turtleneck put over the nose; it can be a painted avatar's body and face, and sometimes it is represented by a uniform or an unexpected garment. The mask conceals the avatars’ true nature but also points to the state of their consciousness. The avatars move around the virtual scene in a strange, at first glance somewhat disoriented way, being aware that they are followed by the gazes of other participants in the "event"; one of the avatars starts to play a "game" - a series of ritual movements that all other avatars successively begin to imitate.“
— Read the full text “Universal Objects”, written by Ivona Fregl, from the exhibition catalogue, published by Lucida Gallery, Belgrade, Serbia, September 2017.
“Tanja Vujinović operates in a field in which we can clearly see the intertwining of dark and electronic aesthetics through the research of transforming sound into images and other possibilities offered by the programming of various interfaces.”
— Read the full text “Ultramono: generative digital techniques, data visualisation, data sonification, modern electronics and black furry creatures”, written by Petja Grafenauer, Ultramono #7, ISBN 978-961- 92451-3-2 (pdf), Ultramono, Ljubljana, Slovenia, 2012.
“Apart from its interactive, kinetic and robotic elements Tanja VujinoviC’s installations are also known for being close to haptic art, which is oriented towards the sense of touch. The mechanical (cold) interior of her toys is contrasted by the warm feeling created by the material (fur, plush) that covers them. This is a part of her research in haptic technology, connected to tactile interfaces and digital data processing of information that travels from the users to the robots and vice versa, a process in which the public is invited to participate and a part of which it is.”
— Read the full text “Generative devices & hybrid structures: Tanja Vujinović”, written by Sanja Kojić Mladenov, published in Ultramono #8, ISBN 978-961-92451-4-9, Ultramono, Ljubljana, Slovenia, 2013.
“A hundred other visitors/users and theoreticians who encounter Vujinović’s projects are attracted by a hundred other things (qualities, properties, dimensions), but the author of this text prefers to concentrate on her original as-if-alive objects”.
— Read the full text “The Touch With Tact On the Superohm Installation by Tanja Vujinović”, written by Janez Strehovec, published in Maska Performing Arts Journal, No.141-142, ISSN 1318-0509, Ljubljana, Slovenia, 2011.
Tactile Nodes: Aesthetic of discrete events in noisy domains
Tactile Nodes: Aesthetic of discrete events in noisy domains
“With the ontology of touch and its synaesthetic action, Jean-Luc Nancy accentuated the function of frequencies and audible sounds whose anchoring purpose is to dissolve the art object into the immediacy of contact…The sculptural action of frequencies continues to accentuate unusual temporary places made of visible and invisible tones of silent and loud glitches within synchronizations of fields…Building upon a phenomenological account of space, it assumes a key ontological importance for him, the significance of the disposition of crossing, of touching, spacing, and contact. The work of art that accentuates the open structure, and opens its field for inclusion is both the clearing and the opening…With his new proposal of a bodily ontology, Nancy underlines the relations between technical apparatuses and the body, and places it at the center of attention. It is at this surface of apparatuses that part of the touching and sensing takes place, and the opening of the body toward exteriority locates the meaning and sensing of the apparatus and the body…As far as images are concerned, Nancy thought of images as being enveloped in a special mode of touch, as a proximity-in-distance and the force of sense. A line, a trace, both separates and connects, and presents and withdraws. The language of images is the language of contact-in-separation. Just as Peter Lamborn Wilson had found a place for images within “Temporary Autonomous Zones” as potential nodes for subversive gestures, Nancy too places them in an outward field of expansion, as a distant potential for sense-contact. “
— Read the full text “Tactile Nodes: Aesthetic of discrete events in noisy domains” by Tanja Vujinovic, published in Leonardo Electronic Almanac, Vol 16 Issue 4 – 5., MIT and Leonardo/ISAST publication, 2009.
“Tanja Vujinović is certainly one of the more prominent, if not the leading, and also internationally recognised, Slovene artists in the field of intermedia art. From the very beginning, her area of activity has been focused especially on the study of the audio-visual context of space and time in symbolic and formal senses.”
— Read the full text “The Image of a Soundscape”, written by Barbara Sterle Vurnik, published in Ampak, monthly magasine for culture, politics and economy, year 9, number 10, Ljubljana, October 2008.
““Perfect Frequency” is the moment of the perfect noise deconstructing all ideologies, that is to say, a critical field induced by the actual network over-burdening, as well as by an impasse through its dense plexus.”
— Read the full text “Fictional dictionary (second part)”, written by Jasmina Cubrilo, Fictional Dictionary, second part, "Perfect Frequency" exhibition catalogue, DOB Belgrade, Belgrade, 1998.
Reviews and press
2023
Kenny Jan, This year's Pixxelpoint represents life in the network of modern technology, Robin, Slovenia, https://www.robin.si/kultura/letosnji-pixxelpoint-predstavla-zivljenje-v-omrezju-sodobne-tehnologije/, 9 November 2023.
A. P. Understanding life "in the clouds" at the 24th festival of contemporary artistic practices Pixxelpoint, Nova Gorica - MMC RTV SLO, STA, https://www.rtvslo.si/kultura/vizualna-umetnost/razumevanje-zivljenja-v-oblakih-na- 24-festival-of-contemporary-art-practices-pixxelpoint/688393, 16 November 2023.
Networks have become an inevitable part of our everyday life, Mladina, Ljubljana, Slovenia, 16 November 2023.
This year's Pixxelpoint festival is starting, STA Misli, https://misli.sta.si/3236177/zacenja-se-letosnji-festival-pixxelpoint, Ljubljana, Slovenia, 16 November 2023.
Sara Nuša Golob Grabner, We evaluate: Kiblix 2023: Hypocrisy and arrogance, Delo, Ljubljana, Slovenia, https://www.delo.si/kultura/vizualna-umetnost/kiblix-2023-licemerje-in-napuh/, 9 November 2023 .
M.K., Hypocrisy and arrogance: Good two months of Kiblix in Maribor, Maribor - MMC RTV SLO, https://www.rtvslo.si/kultura/vizualna-umetnost/licemerje-in-napuh-dobra-dva-meseca-kiblixa-v -mariboru/686425, STA.
Kiblix: Hypocrisy and arrogance, Vecer, Maribor, Slovenia, https://vecer.com/kultura/kiblix-licemerje-in-napuh-10342920, 26. November 2023.
P.G., For human technology: a review of three years of visionary efforts of the RUK Network, Ljubljana - MMC RTV SLO, Ljubljana, Slovenia, https://www.rtvslo.si/kultura/vizualna-umetnost/za-humano-tehnologijo-pregled-treh- year-of-visionary-efforts-of-the-hands-network/665941, April 24, 2023.
Exhibition Za humane technology opens a window to the world of the future, STA Krog, Ljubljana, Slovenia, https://krog.sta.si/3164026/razstava-za-humano-tehnologijo-odpira-okno-v-svet-prihodnosi, April 24, 2023.
You watched, R.o.R festival of contemporary art practices is starting in Nova Gorica, https://veza.sigledal.org/prispevki/v-novi-gorici-se-zacenja-festival-sodobnih-umetniskih-praks-r-o-r, Ljubljana, Slovenia, 28 September 2023.
R.o.R festival in Nova Gorica, Dnevnik, Slovenia, https://www.dnevnik.si/1043033363, September 28, 2023.
The core that unites, Primorski dnevnik, Nova Gorica, Slovenia, https://www.primorski.eu/goriska/jedro-ki-zdruzuje-HE1446283, September 28, 2023.
2022
Peter Tomaž Dobrila, Field no. 536, Novi Sad, Serbia, July-August 2022.
Blanca de la Torre, Atlantica, Revista de arte y pensamiento, ISSN 2792-3827 Atlántica, Las Palmas de Gran Canaria, Spain, 2022.
Blanca de la Torre, Zoran Erić, Con los pies en la tierra, Centro Atlantico de arte moderno - CAAM, Las Palmas de Gran Canaria, Spain, October 2022.
Peter Rak, Evaluation: Festival Kiblix / Kibla Portal, Maribor, Delo, Ljubljana, Slovenia, 28.12.2022.
Peter Rak, This time's motto is love and peace, Delo, Ljubljana, Slovenia, 18. 11. 2022.
KR, 20th Kiblix for 10 years of Portal, Vecer, Slovenia, https://vecer.com/kultura/20-kiblix-za-10-let-portala-10321014, 15.11.2022.
Fabian Gubser, Natur in digitalen Kunstwerken, Kanton Zug, Switzerland, 22. September 2022.
Peter Rak, Festival Kiblix, Kultura, Delo, page 16., 28.12.2022.
Manifestations - Bubbles, Dutch Design Daily, October 2022.
Jelena Guga, Art Body Art, Suluv, https://suluv.org/art-body-art-2/, Novi Sad, Serbia, 22. November 2022.
Jelena Guga, Art Body Art, exhibition catalogue, New Artistic Practices of the Association Programme, The Union of Associations of Fine Artists of Vojvodina, Novi Sad, Srbija, October 2022.
Digital Landscapes exhibition catalogue, Elementum and unpaired Gallery, Zug, Switzerland, September 2022.
Tanja Vujinovic: AvantGarden, Glasba, Kino Šiška, Delo, Ljubljana, Slovenia, 30. September 2022.
Tanja Vujinović. AvantGardens, Krak, Bihać, Bosnia, https://www.krak.ba/en/event/tanja-vujinovic-avantgardens?fbclid=IwAR2yXFiskxyDt95gSRA9fJvT9OZJgMZUDH4D6Tghdcp4cKvvHXrCcefqWxM 10. November 2022..
Razstava Novo doba gostuje v Muzeju sodobne umetnosti v Zagrebu, Kultura, Posavski Obzornik, Slovenia, October 2022.
Con los pies en la tierra, RTVE Play Metropolis, Spain, 14.12.2022.
Pert Horky, SEJDEME SE V METAVERZU, Kontext, Respekt, Praga, Check Republic, January 2021.
Return of the Gaze, exhibition catalogue, Cukrarna, Muzeji in galerije mesta Ljubljana, Ljubljana, Slovenia, August 2022.
2019
Udovč, Lea. V Ljubljani odprtje razstave MetaVrt Sfera2, ki navdih išče tudi v znanosti, Naravoslovje in tehnika, STA Znanost, Ljubljana, Slovenija, 8. 6. 2019, http://znanost.sta.si/2643766/v-ljubljani-odprtje-razstave-metavrt-sfera2-ki-navdih-isce-tudi-v-znanosti, 28.6.2019.
Comino, Urška. V Osmo/zi odprtje razstave MetaVrt Sfera2 Tanje Vujinović, STA Misli, Ljubljana, Slovenija, 11.6.2019, https://misli.sta.si/2646745/v-osmo-zi-odprtje-razstave-metavrt-sfera2-tanje-vujinovic, 28.6.2019.
Kušej, Arne. MetaVrtovi in Alan Ford, izjava za radio in najava razstave na spletu, Radio Študent, Ljubljana, Slovenija, 11.6.2019, https://radiostudent.si/kultura/kulturne-novice/francoski-fotografi-metavrtovi-in-alan-ford, 28.6.2019.
Jovanović, Staša. Razstava MetaVrt Sfera 2, Dnevnik, Ljubljana, Slovenija, 12.6.2019 in splet: https://www.dnevnik.si/1042889110, 28.6.2019.
Fülöp, Erika. ZeTMaG, MetaGarden Sphere1, Tanja Vujinovic, Lancaster University, https://www.zetmag.net, junij 2019.
Milivojević, Lela. Spoj nauke i umetnosti kroz nove medije, VIZUELNE UMETNOSTI, Kaleidoskop, 8.07.2019.
https://kaleidoskop-media.com/vizuelne-umetnosti/tanja-vujinovic-o-spoju-nauke-i-umetnosti-?fbclid=IwAR3hukL5AwUSlkzdbVpovPWWDpz_75RWrJYqh05kaPJmRQ5IUnEm5bbRLzg, accessed 8.7.2019
Društvo i digitalni mediji: MetaVrt Sfera 2 Tanje Vujinović, Plezir, Kultura, 2.7.2019.
Zemljič, Petra. Podhod Slavija bo močvirje, Večer, https://www.vecer.com/podhod-slavija-bo-mocvirje-10075332, 10.10.2019.
Sabatini, Benedetta. FONTANA, Future gardens, rebirth of life, Neural 63, http://neural.it/2019/10/fontana-future-gardens-rebirth-of-life/?fbclid=IwAR0SDUjDBM9mxtTJttZZXJzOkyr0iUnQ0931v-eAR8BwSbOKdcXStp2TLd0, 18. 10. 2019.
Mužič, Janez. KOPER: Instalacije Tanje Vujinović v Galeriji Loža, Vizije vrtov bodočnosti, Istra, Primorske novice, številka 9, leto XI, 25. Septembra 2019.
Gombač, Andraž. Vrtove bodočnosti napaja skrb za naš skupni jutri, Primorske Novice, Kultura, https://www.primorske.si/kultura/vrtove-bodocnosti-napaja-skrb-za-nas-skupni-jutri, 17.10.2019.
Tanja Vujinović: MetaVrt Sfera2, najava otvoritve razstave, SI21, Ljubljana, Slovenija, 11. 6. 2019, https://www.si21.com/Dogodki/Tanja_Vujinovic_MetaVrt_Sfera2/, 28.6.2019.
Tanja Vujinović: MetaVrt Sfera2, najava dogodka, SI21, Ljubljana, Slovenija, 26. 6. 2019, https://www.si21.com/Dogodki/Tanja_Vujinovic_MetaVrt_Sfera2_156/, 28.6.2019.
Tanja Vujinović: MetaVrt Sfera2, pogovor, najava dogodka, Napovednik, Ljubljana, Slovenija, 25.6.2019., https://www.napovednik.comdogodek523953_tanja_vujinovic_metavrt_sfera2_pogovor, 28.6.2019.
Tanja Vujinović, blog prispevek za spletno mesto Znanost na cesti, Ljubljana, Slovenija, 11.6.2019, https://znc.si/blog/umetnost-in-znanost-z-roko-v-roki/, 28.6.2019.
Mr Ljubica Krminac, Kibicfenster, Pogled u blisku budućnost i najava događaja u kulturi, RADIO BEOGRAD 2, http://www.rts.rs/page/radio/ci/story/28/radio-beograd-2/3581436/kibicfenster.html?fbclid=IwAR0xO1cGAWiKncDlKVh6lkyNcskwRPBNVBWSFB9yu3nb_Z2CyNydryZlvEY, accessed 6.7.2019.
Mr Ljubica Krminac, Kibicfenster, Pogled u blisku budućnost i najava događaja u kulturi, RADIO BEOGRAD 2, http://www.rts.rs/page/radio/ci/story/28/radio-beograd-2/3581436/kibicfenster.html, 6.7.2019.
Maja Kac, RTV SLO MMC, RUK - projekt za zagon okolja, kjer gospodarstvo na dnevni ravni sodeluje z umetniki, https://www.rtvslo.si/kultura/drugo/ruk-projekt-za-zagon-okolja-kjer-gospodarstvo-na-dnevni-ravni-sodeluje-z-umetniki/497969, 5.9.2019 (published screen capture from the work Universal Objects: Garden, Tanja Vujinović, installation)
Biljana Bralušić Jovanović, Festival „SUTRA“ u Muzeju nauke i tehnike, RTS, http://www.rts.rs/page/magazine/sr/story/1882/tehnologija/3656541/festival-sutra-u-muzeju-nauke-i-tehnike.html, 11.9.2019.
Festival S.U.T.R.A: u MUZEJU NAUKE I TEHNIKE!, Happy TV, Nacionalna Televizija Happy, ttp://happytv.rs/vesti/beograd/160735/festival-sutra-u-muzeju-nauke-i-tehnike, 08.09.2019.
Festival “S.U.T.R.A.: U ime algoritma” pasivne posetioce pretvara u aktivne učesnike, Kultura, Danas Online, https://www.danas.rs/kultura/festival-s-u-t-r-a-u-ime-algoritma-pasivne-posetioce-pretvara-u-aktivne-ucesnike/, 12.9.2019.
Festival S.U.T.R.A. u Muzeju nauke i tehnike u Beogradu: Algoritmi upravljaju našim okruženjem, Regionalni informativni center, https://www.regionalniinformativnicentar.com/festival-s-u-t-r-a-u-muzeju-nauke-i-tehnike-u-beogradu-algoritmi-upravljaju-nasim-okruzenjem/, 14.09.2019.
Dostop, Informacijski portal za mlade, https://www.dostop.si/event/25-mednarodni-festival-racunalniske-umetnosti-mfru/, 10.10.2019.
Jana Samsa, Prispevek o razstavi MetaVrt, Opoldnevnik, Radio Koper, 24. 8. 2019, https://4d.rtvslo.si/arhiv/opoldnevnik/174633945
Jana Samsa, Daljši prispevek o razstavi MetaVrt, Radio Koper, 7. 9. 2019.
2018
Seidel, Robert. BE, 25, Künstlerhaus Bethanien, časopis, BFFs1&2”, Berlin, https://www.bethanien.de/en/publications/be-25/, 01.08.2018.
Gabriela Stockmann, Über schwebende Inseln und fliegende Menschen, Mein Bezirk, Baden, https://www.meinbezirk.at/baden/c-freizeit/ueber-schwebende-inseln-und-fliegende-menschen_a2834420, 16. 8. 2018.
Petra Zemljič, O odnosu med telesom in tehnologijo, https://www.vecer.com/o-odnosu-med-telesom-in-tehnologijo-6569738, Večer, 18.9.2019.
Urška Comino, Destilatorji eliksirjev Tanje Vujinović v galeriji Kapelica, STA, https://www.sta.si/2561415/destilatorji-eliksirjev-tanje-vujinovic-v-galeriji-kapelica, 8.10.2018.
Damjana Kolar, Aparati za premišljevanje družbe, Kultura, Mladina, https://www.mladina.si/?__rewriter=1&id=187695&, 8.10.2018.
Petja Grafenauer, Tanja Vujinović, umetnica, Kultura, Portret, Mladina, 45, Ljubljana, Slovenija, https://www.mladina.si/188121/tanja-vujinovic-umetnica/, 9.11.2018.
2017
B. Jajić, UMETNIČKA KOLONIJA EČKA: „Slika 2017“, List Zrenjanin, http://www.listzrenjanin.com/umetnicka-kolonija-ecka-slika-2017/, 23.8.2017.
Urška Comino, Odmevno delo Park 1 Tanje Vujinović se predstavi v Torontu, Avgusta tudi v Plymouthu na Otoku, MMC RTV SLO, STA, https://www.rtvslo.si/kultura/drugo/odmevno-delo-park-1-tanje-vujinovic-se-predstavi-v-torontu/427605, 14.7.2017.
Urška Comino, Tanja Vujinović z delom Park 1 na Vector festivalu v Torontu, STA, https://www.sta.si/2408827/tanja-vujinovic-z-delom-park-1-na-vector-festivalu-v-torontu, 14.7.2017.
Mirjana Sretenović, Umetnost i video igre, U Galeriji nauke I tehnike SANU izložba Tanje Vujinović, Politika, Belgrade, Serbia, April, 2017.
J.R./Politika, Umetnost i digitalne tehnologije, Politika, Belgrade, Serbia, April, 2017.
Ljiljana Ilić, Otvaranje izložbe Digitani vrtovi Art+Science, Elementarijum, naučnopopularni portal Centra za promociju nauke, http://elementarium.cpn.rs/u-centru/digitalni-vrtovi-izlozbe-art-and-science/?lang=lat, Belgrade, Serbia, April, 2017.
Dragana Milovanović, Elementarijum, naučnopopularni portal Centra za promociju nauke, http://elementarium.cpn.rs/u-centru/zatvorena-artscience-izlozba/?lang=lat, Belgrade, Serbia, May, 2017.
Maja Jovanov, Otvorena izložba Art+Science, Kuća dobrih vesti, http://www.dobrevesti.rs/%D0%BA%D1%83%D0%BB%D1%82%D1%83%D1%80%D0%B0/item/8516-otvorena-izlozba-art-science, Belgrade, Serbia, 29.4.2017
M. Kovačević, O mačkama i robotima, Šta ćemo videti na Festivalu art + science, http://www.blic.rs/kultura/vesti/o-mackama-i-robotima-sta-cemo-videti-na-festivalu-art-science/f2t4y32, Belgrade, Serbia, 11.4.2017.
Korzo portal, Umetnička kolonija Ečka / Slika 2017., http://korzoportal.com/umetnicka-kolonija-ecka-slika-2017/, Korzo portal, Zrenjanin, Serbia, 24.8.2017
Petja Janžekovič, Migratory interdisciplinary grid, International art exhibition on the topic of migrations, http://www.riskchange.eu/2017/10/24/rc-touring-exhibition-mig21-migrating-to-novi-sad-serbia/, Novi Sad, Serbia/Maribor, Slovenia, accessed 27.11.2017.
Damjana Kolar, Deset kulturnih dogodkov od četrtka do nedelje, Mladina, http://www.mladina.si/180574/deset-kulturnih-dogodkov-od-cetrtka-do-nedelje/, Ljubljana, Slovenia, 22.6.2017.
Ivona Fregl, Universal Objects, Lucida Gallery, exhibition catalogue, Belgrade, Serbia, September 2017.
2016
Ida Hiršenfelder, Povratna zanka II (2016), Videospotting, http://www.videospotting.org/povratna-zanka-ii-2016, Ljubljana, Slovenia, accessed 27.11.2017.
Emmy Horstkamp, Unpainted 3.0, Munich Artists, https://munichartists.com/2016/02/10/unpainted-3-0/, Munich, Germany, 10.2.2016.
Emmy Horstkamp, Unpainted 3.0, part II, Munich Artists, https://munichartists.com/2016/02/23/unpainted-part-ii-be-inspired-by-digital-artwork/, Munich, Germany, 10.2.2016.
2015
Petra Zemljič, Leonardo da Vinci bi se dobro znašel, Kultura, Večer, http://www.pressreader.com/slovenia/vecer/20151013/281792807861551, Slovenia, 13.10.2015.
V evropskem letu svetlobe nad temačnost, Večer, https://www.pressreader.com/slovenia/vecer/20151007/281814282687724, Slovenia, 7.10.2015.
2014
Sanja Kojić Mladenov, Cyberfeminism and Art, https://sanjakm.blogspot.si/2014/12/kiberfeminizam-i-umetnost.html, 29.6.2017
2013
Irena Čerčnik, On This Year’s Exhibition as the Space of Enactment, Sculpture Today, Performative Bodies and Spaces, Fourth publication, Zavod Celeia Celje, Center for Contemporary Arts Celje, Slovenia, September, 2013.
Petja Grafenauer, Ultramono: generative digital techniques, data visualisation, data sounding, modern electronics and black furry creatures, Ultramono #8, ISBN 978-961-92451-4-9, Ultramono, Ljubljana, Slovenia, 2013.
Sanja Kojic Mladenov, Generative devices & hybrid structures: Tanja Vujinovic, Ultramono #8, ISBN 978-961-92451-4-9, Ultramono, Ljubljana, Slovenia, 2013.
Kaja Kraner, Skupinska razstava Kiparstvo danes: performativna telesa in okolja, Pogledi, let. 4, št. 21, 13. november 2013, Slovenija, http://pogledi.delo.si/kritike/orodja-ziva-dela, accessed 14.7.2017
Peter Rak, Kiparstvo danes: telesa, okolja in fascinacija s tehnologijo, Delo, http://www.delo.si/kultura/razstave/kiparstvo-danes-telesa-okolja-in-fascinacija-s-tehnologijo.html, Ljubljana, Slovenia, 21.10.2013.
2012
Janez Strehovec, The Touch with Tact. On the Superohm Installation by Tanja Vujinovic, Ultramono #7, ISBN 978-961-92451-3-2 (pdf), Ultramono, Ljubljana, Slovenia, 2012.
Petja Grafenauer, Ultramono: generative digital techniques, data visualisation, data sounding, modern electronics and black furry creatures, Ultramono #7, ISBN 978-961-92451-3-2 (pdf), Ultramono, Ljubljana, Slovenia, 2012.
2011
Artlyst, The London Art Network, Kinetica Art Fair 2011, London, UK, Feb 3, 2011.
Herbert Wright, Kinetica Art Fair, Fad, London, UK, Feb 4, 2011.
Janez Strehovec, The Touch with Tact. On the Superohm Installation by Tanja Vujinovic, Maska Performing Arts Journal, No.141-142, ISSN 1318-0509, Ljubljana, Slovenia, 2011.
Luka Zagoričnik, Sonica: na sledi pogledu, zvoku, Delo, Ljubljana, Slovenia, Oct 17, 2011.
2010
Laura Haertel, Ultramono, inter-cool 3.0, Dortmund, Germany, Sep 20, 2010.
Mark Daniels, Are We Human? Evolution and Art at Inspace, The Skinny, Radge Media Ltd., Edinburgh, UK, Jan 20, 2010.
Penelope.di.pixel, Amjumix Di Tatjana Vujinović Kušej, Arts Blog, Rome, Italy, Oct 25, 2010.
2009
Ida Hirsenfelder, Fraktali zvocnih umetnosti, Delo, Ljubljana, Slovenia, Jun 11, 2009.
Jernej Kozar, Necessary Discourse on Hysteria, The Gallery of Fine Arts, ISBN 978-961-91463-5-4, Slovenj Gradec, Slovenia, 2009.
Matthias Reichelt, Ein notwendiger Diskurs uber Hysterie, Kunstforum International, No. 195, Köln, Germany, 2009.
Rado Poggi, Necessary Discourse on Hysteria, The Gallery of Fine Arts, ISBN 978-961-91463-5-4, Slovenj Gradec, Slovenia, 2009.
Ryan Jordan, noise=noise, The Basement Series, Furthernoise, London, UK, Sep 11, 2009.
Miha Colner, Ida Hirsenfelder, Art-area, Radio Student, Ljubljana, Slovenia, Jun 24, 2009.
Maja Megla, Skoraj zenovska dela prihodnosti, Delo, Ljubljana, Slovenia, Jun 10, 2009.
Alexandra Augustin, Vom Club ins Museum, FM4 ORF.at, http://fm4v3.orf.at/stories/1602062/, Vienna, Austria, 29. 3. 2009.
2008
Aurora Fonda, D'est, giovani artisti sloveni, ArtVerona, Verona, Italy, Sep 16, 2008.
Luka Zagoricnik, A World of Little Sounds and Noises, Delo, Ljubljana, Slovenia, Sep 26, 2008.
Barbara Sterle Vurnik, The Image of a Soundscape, Ampak, n.10, Ljubljana, Slovenia, Oct, 2008.
Karin Potocnik, Histerija zavoljo vsakodnevnih dogodkov, Vecer, n. 263, Maribor, Slovenia, Nov 13, 2008.
Ida Hirsenfelder, Discreet Event in Noisy Domains, Dnevnik, Ljubljana, Slovenia, Sep 25, 2008.
Ida Hirsenfelder, Mosaic of National Video Art, Dnevnik, Ljubljana, Slovenia, Mar 27, 2008.
Irena Levicar, Recoding of Events into Noisy Audio-Visual Flows, Indirekt, Ljubljana, Slovenia, Sep 18, 2008.
Irena Levicar, The Art of Computer Games, Indirekt, Ljubljana, Slovenia, Nov 11, 2008.
Irena Levicar, Festival HAIP, InDirekt, Ljubljana, Slovenia, Nov 5, 2008.
Jela Krecic, Boj hackerske umetnosti, Delo, Ljubljana, Slovenia, Nov 3, 2008.
Petra Kaps, Histerija - spodbudni impulz za umetnost, Delo, Ljubljana, Slovenia, Dec 11, 2008.
Vojko Urbancic, Non-central domains, Delo, Ljubljana, Slovenia, Feb 27, 2008.
2007
We make money not art, Automata Public 05, http://we-make-money-not-art.com, Mar 23, 2007.
2006
Bojana Videkanic, In Between: Long Distance Relationships, Photo-based Gallery TWP, Toronto, Canada, 2006.
Petja Grafenauer, More than the eye can see, Borec, Ljubljana, Slovenia, 2006.
Petja Grafenauer, Božidar Zrinski, We want to be free as the fathers were, MGLC, ISBN: 978-961-6229-32-697, Ljubljana, Slovenia, 2006.
Petja Grafenauer, Sport and contemporary art: Dynamo, Vizualka, Radio Student, Apr 7, Slovenia, 2006.
2005
Barbara Sterle Vurnik, Izbrano o resnici medijske podobe, Finance, n.66, Ljubljana, Slovenia, Apr 6, 2005.
Ida Hirsenfelder, New Research in Personal Hygiene, Pretty Dirty, Skuc Gallery, Ljubljana, Slovenia, 2005.
Petra Kaps, Pretty Dirty, Radio Student, Ljubljana, Slovenia, Jul 12, 2005.
Marina Grzinic, [prologue], Cornerhouse, Manchester, UK, Jul, 2005.
Igor Spanjol, Cisto umazano, Delo, Ljubljana, Slovenia, Jun 24, 2005.
Vojko Urbancic, International Project Appendix 2, Delo, Ljubljana, Slovenia, Aug 24, 2005.
Vojko Urbancic, Robbed Apendiks 2, Delo, Ljubljana, Slovenia, Aug 26, 2005.
Vojko Urbancic, Dinamo, Delo, Ljubljana, Slovenia, Mar 23, 2005.
2004
Boris Gorupic, Colonization of the Body: Interview, Vecer, Maribor, Slovenia, Jan 12, 2004.
Dunja Kukovec, Plasma by Stigmata ad, Cosmopolitan, Ljubljana, Slovenia, Jan, 2004.
Igor Kavcic, Mar vemo za sodobno umetnost, Gorenjski glas, Kranj, Slovenia, May 11, 2004.
Lidija Merenik, The Space Between, the Abyss, the Style of Loss: about the Youth Biennale, Cyberrex, Belgrade, Serbia, Oct 20, 2004.
Marina Grzinic, With a sense of responsibility, Senseless, Sinnlos, ISBN 3-211-21949-8, Springer, Wien, New York, Austria, USA, 2004.
Mojca Strajher, Brez mej v avstrijskem parlamentu na Dunaju, Dnevnik, Ljubljana, Slovenia, Mar 20, 2004.
Nina Kokelj, Integralni Ventilator, Gloss, n.85, Ljubljana, Slovenia, May, 2004.
Petja Grafenauer, Mini razstava, ki je dala maxi zadovoljstvo, Radio Student, Ljubljana, Slovenia, Oct 14, 2004.
Saso Vrabic, Stigma, PR, Magazine of The Gallery of Fine Art, Slovenj Gradec, Slovenia, 2004.
2003
Duba Sambolec, Politics of Imagination, Hardbody, Gallery of Contemporary Arts, Celje, Slovenia, 2003.
Eduardo Navas, Net Art Review, http://www.netartreview.net, Jun 12, 2003.
Garrett Lynch, Net Noise, Net Art Review, http://www.netartreview.net, Jul 16, 2003.
Marina Grzinic, Slovenian Video Works Seen Through International Video Production and Vice Versa, Maska, Ljubljana, Slovenia, 2003.
Rachel Greene, Jam Sessions, Net Art News, Rhizome.org, Jul 21, 2003.
Zoran Srdic, Clichés of Female Bodies, Delo, Ljubljana, Slovenia, 2003.
Vojko Urbancic, Hardbody, Delo, Ljubljana, Slovenia, Apr 24, 2003.
Zoran Srdic, Digital Collages, Apokalipsa, #72, Ljubljana, Slovenia, 2003.
2002
Duba Sambolec, Tour/Detour, Helium, Ballongmagasinet, 2002.
Marina Grzinic, Europe in Fragments, Vidarte 2002, Mexico City, 2002.
V. Deho, G. Celli, D. Laubner, T. Scarpa, M. Buscema, Training Pattern, Eurovision I. Biennale Merano arte – DNArt, Kunsthaus Meran, Merano, Italy, 2002.
Marina Grzinic, Slovenia, Histories of Empowerment, Projected Visions, Apollonia, Strasbourg, France, 2002.
Marina Grzinic, Visceral and Metaphysical, Verhaltensmuster, Automata, Ljubljana, Slovenia, 2002.
2001
Arne Sheuermann, Ground Control: Four Reflections on Tanja Vujinovic’s Paintings, Ground Control, MKC Maribor, Maribor, Slovenia, 2001.
Marina Grzinic, Plastic, Ground Control, MKC, Maribor, Slovenia, 2001.
Suzana Milevska, Capital and Gender, Open Society Institute, Skopje, Macedonia, 2001.
Marija Djordjevic, The Art of Installation: Tanja Vujinovic Kusej: From the Perspective of Voyeur, Politika, Belgrade, Serbia, Jul 27, 2001.
Vojko Urbancic, Variola Vera, Delo, Ljubljana, Slovenia, Sep, 2001.
2000
Katarina Radulovic, Edgeward, Tautological place, Edgeward, Kulturni centar Beograd, sv. 394, Belgrade, Serbia, Jul, 2000.
1999
Branislav Dimitrijevic, An Intermittent History - a Brief Survey of Video Art in Serbia, Video Art in Serbia, Center for Contemporary Art, Belgrade, Serbia, 1999.
Darka Radosavljevic, B92 video production, Video Art in Serbia, Center for Contemporary Art, Belgrade, Serbia, 1999.
1998
Jasmina Cubrilo, Fictional Dictionary, second part, Perfect Frequency, DOB, Belgrade, Serbia, 1998.
Olav Minzberg, On the Aesthetical Dimension in the Works of Tanja Vujinovic, Perfect Frequency, DOB, Belgrade, Serbia, 1998.
Jasmina Cubrilo, Od Aprila do aprila, Studio B & Jugoslovenska galerija umetnickih dela Andricev venac, Belgrade, Serbia, 1998.
1996
Jasmina Cubrilo, Fictional Dictionary, Pressure, Terzo Mondo Gallery, Berlin, Germany, 1996.