DISCRETE EVENTS IN NOISY DOMAINS

DISCRETE EVENTS IN NOISY DOMAINS is a series of audio-visual installations examining sensing systems, data transmission, and the aesthetics of surveillance.
Soft sculptural forms, custom-built devices, environmental data streams, and robotic elements are combined into responsive environments. Viewers encounter technological systems not as cold infrastructure, but as tactile, intimate presences.
The works investigate how discrete signals emerge from continuous noise: movement becomes data, weather becomes sound, bodies become measurable events. Surveillance is not presented as spectacle, but as ambient condition.
These installations mark an early commitment to hybrid forms, sculpture, electronics, network systems, and sound, operating as unified organisms.

SUPERMONO 2/3
An audio-visual sculpture composed of black fleece objects embedded with sensors, speakers, and transmitters.
The forms resemble soft hybrid creatures, each carrying a technological implant. When touched or approached, they emit sound and subtle visual responses, generating a feedback loop between body and system.
Interaction feels playful, even tender. At the same time, the objects track presence and behavior.
SUPERMONO 2/3 addresses how sensing technologies enter domestic and intimate space under the guise of comfort, entertainment, and utility. The sculpture stages early Internet of Things logic as tactile encounter.

OSCILORAMA
A distributed installation connecting public space and gallery interior.
A custom surveillance balloon equipped with a camera captures live footage outdoors. The feed is transmitted, processed, and transformed into audio-visual material inside the exhibition space.
Soft textile entities in the gallery emit fragments of this data stream through embedded speakers. These hybrid creatures, part anthropomorphic, part zoomorphic, function as aestheticized receivers of surveillance flow.
OSCILORAMA exposes how monitoring systems are normalized and absorbed into everyday experience. Surveillance becomes atmospheric, translated into texture, sound, and ambient presence.

BLIPSTAT
An audio-visual installation driven by real-time meteorological and oceanographic data from the Marine Biology Station Piran.
Environmental data is streamed, processed, and converted into immersive sound and visual compositions. Two robotic fish swim in separate tanks; hydrophones capture the acoustic traces of their movement, integrating mechanical and organic signals.
BLIPSTAT connects planetary sensing systems with artificial agents. Weather patterns, ocean measurements, and robotic motion merge into a continuous data field.
The work reveals the aesthetic and political dimension of environmental monitoring, how life, climate, and ecosystems are rendered into streams for analysis, storage, and control.